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Blackface Wikipedia.Blackface is a form of theatrical make up used predominantly by non black performers to represent a black person.The practice gained popularity during the 1.In 1. 84. 8, blackface minstrel shows were an American national art of the time, translating formal art such as opera into popular terms for a general audience.Early in the 2. United States with the Civil Rights Movement of the 1.Blackface was an important performance tradition in the American theater for roughly 1.It quickly became popular elsewhere, particularly so in Britain, where the tradition lasted longer than in the U.S., occurring on primetime TV, most famously in The Black and White Minstrel Show, which ended in 1.Are You Being Serveds Christmas specials in 1.In both the United States and Britain, blackface was most commonly used in the minstrel performance tradition, which it both predated and outlasted.Early white performers in blackface used burnt cork and later greasepaint or shoe polish to blacken their skin and exaggerate their lips, often wearing woolly wigs, gloves, tailcoats, or ragged clothes to complete the transformation.Later, black artists also performed in blackface.Stereotypes embodied in the stock characters of blackface minstrels not only played a significant role in cementing and proliferating racist images, attitudes, and perceptions worldwide, but also in popularizing black culture.In some quarters, the caricatures that were the legacy of blackface persist to the present day and are a cause of ongoing controversy.Another view is that blackface is a form of cross dressing in which one puts on the insignias of a sex, class, or race that stands in opposition to ones own.By the mid 2. U. S.It remains in relatively limited use as a theatrical device and is more commonly used today as social commentary or satire.Perhaps the most enduring effect of blackface is the precedent it established in the introduction of African American culture to an international audience, albeit through a distorted lens.Blackfaces appropriation,91.African American cultureas well as the inter ethnic artistic collaborations that stemmed from itwere but a prologue to the lucrative packaging, marketing, and dissemination of African American cultural expression and its myriad derivative forms in todays world popular culture.How To Save A Pdf Form So It Cannot Be Edited Emojis PicturesSo, its the airports fault for letting these passengers drunk before their flights That seems to be precisely what Ryanair is saying and the motivation for the.HistoryeditDisplaying Blackness and the shaping of racist archetypesedit.American actor John Mc.Cullough as Othello, 1. 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There is no consensus about a single moment that constitutes the origin of blackface.John Strausbaugh places it as part of a tradition of displaying Blackness for the enjoyment and edification of white viewers that dates back at least to 1.West Africans were displayed in Portugal.Whites routinely portrayed the black characters in the Elizabethan and Jacobean theater see English Renaissance theatre, most famously in Othello 1.GAZjJrF9BD8YzVwDgGV2Y_hpET-9-XLcaZ3I4n2UxcLKi69x4f1Scw1IoSsVH6wg17ieuaUFw04=w640-h400-e365' alt='How To Save A Pdf Form So It Cannot Be Edited Emojis W' title='How To Save A Pdf Form So It Cannot Be Edited Emojis W' />However, Othello and other plays of this era did not involve the emulation and caricature of such supposed innate qualities of Blackness as inherent musicality, natural athleticism, etc.Strausbaugh sees as crucial to blackface.Lewis Hallam, Jr., a white blackface actor of American Company fame, brought blackface in this more specific sense to prominence as a theatrical device in the United States when playing the role of Mungo, an inebriated black man in The Padlock, a British play that premiered in New York City at the John Street Theatre on May 2.The play attracted notice, and other performers adopted the style.From at least the 1.United States. 1.British actor Charles Mathews toured the U.S. in 1. 82. 22. British regional types for his next show, A Trip to America, which included Mathews singing Possum up a Gum Tree, a popular slave freedom song.Edwin Forrest played a plantation black in 1.George Washington Dixon was already building his stage career around blackface in 1.Thomas D. Rice, who truly popularized blackface.Rice introduced the song Jump Jim Crow accompanied by a dance in his stage act in 1.First on de heel tap, den on the toe.Every time I wheel about I jump Jim Crow.I wheel about and turn about an do just so,And every time I wheel about I jump Jim Crow.This postcard, published c.While both are wearing wigs, the man on the left is in blackface and drag.Rice traveled the U.S., performing under the stage name Daddy Jim Crow.The name Jim Crow later became attached to statutes that codified the reinstitution of segregation and discrimination after Reconstruction.In the 1. 83. 0s and early 1.Initially, Rice and his peers performed only in relatively disreputable venues, but as blackface gained popularity they gained opportunities to perform as entractes in theatrical venues of a higher class.Stereotyped blackface characters developed buffoonish, lazy, superstitious, cowardly, and lascivious characters, who stole, lied pathologically, and mangled the English language.Early blackface minstrels were all male, so cross dressing white men also played black women who were often portrayed as unappealingly and grotesquely mannish, in the matronly mammy mold, or as highly sexually provocative.The 1. 83. 0s American stage, where blackface first rose to prominence, featured similarly comic stereotypes of the clever Yankee and the larger than life Frontiersman 2.American and British stage where it last prospered2.Jews 2. 52. 6 drunken brawling Irishmen with blarney at the ready 2.Italians 2. 6 stodgy Germans 2.In New York City in 1.Dan Emmett and his Virginia Minstrels broke blackface minstrelsy loose from its novelty act and entracte status and performed the first full blown minstrel show an evenings entertainment composed entirely of blackface performance.E. P. Christy did more or less the same, apparently independently, earlier the same year in Buffalo, New York.Their loosely structured show with the musicians sitting in a semicircle, a tambourine player on one end and a bones player on the other, set the precedent for what would soon become the first act of a standard three act minstrel show.By 1. 85. 2, the skits that had been part of blackface performance for decades expanded to one act farces, often used as the shows third act.The songs of northern composer Stephen Foster figured prominently in blackface minstrel shows of the period.Though written in dialect and certainly politically incorrect by todays standards, his later songs were free of the ridicule and blatantly racist caricatures that typified other songs of the genre.Fosters works treated slaves and the South in general with an often cloying sentimentality that appealed to audiences of the day.White minstrel shows featured white performers pretending to be blacks, playing their versions of black music and speaking ersatzblack dialects.Minstrel shows dominated popular show business in the U.S. from that time through into the 1.UK and in other parts of Europe.As the minstrel show went into decline, blackface returned to its novelty act roots and became part of vaudeville.Blackface featured prominently in film at least into the 1.Amos n Andy radio show lasted into the 1.Meanwhile, amateur blackface minstrel shows continued to be common at least into the 1.In the UK, one such blackface popular in the 1.Ricardo Warley from Alston, Cumbria who toured around the North of England with a monkey called Bilbo.As a result, the genre played an important role in shaping perceptions of and prejudices about blacks generally and African Americans in particular.Some social commentators have stated that blackface provided an outlet for whites fear of the unknown and the unfamiliar, and a socially acceptable way of expressing their feelings and fears about race and control.Writes Eric Lott in Love and Theft Blackface Minstrelsy and the American Working Class, The black mask offered a way to play with the collective fears of a degraded and threateningand maleOther while at the same time maintaining some symbolic control over them.However, at least initially, blackface could also give voice to an oppositional dynamic that was prohibited by society.As early as 1. 83. 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How To Make Electronic Music With Computer Where To Start I decided to write down some guidelines on how to make electronic music although some of the following tips may apply to other musical genres as well, not just electronic music covering such things as what hardware is required or recommended, what kind of music making software is needed, how to get a hang of different kind of electronic music styles, etc.Theres a lot of choices in hardware and software, countless of ways to do things in production wise and as many arguments and differing opinions as there are producers.In this article, I try to point you in the right direction in electronic music production, mostly based on my own experience.A little info about myself is that electronic music production has been my longtime hobby for years and Ive been creating music on such genres as trance, downtempo, ambient and experimental.Some of my songs have been released commercially through record labels and have also been used in a film project.Excuse my English, its my second language and not so perfect, but I hope you understand and find these guidelines useful and get your answer on how to make electronic music.Which versions of the later Folia have been written down, transcribed or recorded in alphabetical order of composer, letter C.Also, if you have any questions, opinions or improvements, feel free to leave a comment UPDATE ON AUGUST 1.Even though I wrote this article back in 2.Ill update it regularly so it should still contain valid information.So, without further ado, lets begin Computer and OSThe computer is naturally a must have hardware if you want to make electronic music.You can actually produce good music with any kind of modern computer I mean anything made in the past 5 years, including a laptop.You also have a choice PC or Mac.Both systems are widely used in many professional and home studios.HL-00631505__1.jpg' alt='Garritan Personal Orchestra 4 Cds To 10' title='Garritan Personal Orchestra 4 Cds To 10' />You can make excellent music with both platforms and most of the music making software are available for both except FL Studio, though the MAC version is coming.The thing is, you should pick a platform youre already familiar with.If youve been using PC, stay with the PC.And vice versa. In that way, you dont have to put time and effort on learning a completely new computer system and you can concentrate more on learning how to make the electronic music.However, like I already mentioned, even though you CAN make music with any kind of modern computer, it will help a LOT to have decent specs.The more CPU power and RAM you have under the hood, the smoother your music software will run and youre able to build much more complex projects without choking your computer.Also, choosing the right kind of hard drive makes difference as well.You might even consider getting a solid state drive known as SSD.The computer Im using has Intel Core i.ASUS P6. T Deluxe V2 motherboard, 1.GB RAM and 2. 7 widescreen Full HD display and its been a very good computer setup for electronic music production for five years now.If Im going to upgrade this at some point, I probably get the SSD.That will speed up things even more.If youre on the edge of buying a new computer solely for music production and dont have a clue what kind of specs it should have, look at some of the custom built computers that are made for audio production.Check what kind of specs and components they have and start from there.Few words about the OS if you stick with the PC, I can recommend Windows 1.Best Microsoft OS so far it seems to be really stable and working good with my FL Studio 1.Check these online shops for audio computer systems ADK Pro Audio Computers.Scan Computers For Audio.Sound Card Audio InterfaceThese days every modern computer has some kind of on board sound chip so basically, you can start off making electronic music without spending money on an external soundcard or audio interface.If you want to be able to use low latency with your sound chipaudio card and it doesnt have native ASIO support ASIO stands for Audio Stream InputOutput and its a soundcard driver protocol for digital audio specified by Steinberg, providing a low latency and high fidelity interface between a software application and a computers sound card, you can use ASIO4.ALL driver. It works with most sound cards even with those on board chips making it possible to use lower latency settings.However, if youre looking for a higher performance andor planning to do a lot of recording from external sources, then the decent quality sound card or audio interface is recommended.At this point, I recommend checking out the Producer.Spots article The Best Audio Interface for your Home Studio. Install Garage Door Extension Springs . Also, check the Image Lines knowledge base Help choosing a soundcard.I myself have an M Audio Audiophile Delta 2.But there are tons of alternatives too in a decent price range.For example, check out Sound Blaster Z PCIe.Or some of the Focusrite audio interfaces such as Scarlett 2i.Studio Monitors Speakers and Studio grade Headphones.Although I created one of my Dutch dance charts hit songs using only cheap Sony headphones I bought from a local supermarket, decent studio monitors near field monitors are highly recommended.Why Because studio monitors are specifically made for audio production and they give an accurate reproduction of the tonal qualities of the source audio.In other words, they tell you the truth whats REALLY going on in your music in terms of frequencies.The sound is uncolored so there will be no bass or high frequency boosts or anything like that like the normal hi fi speakers or headphones tend to have.This will help you to create music where every sound is in balance depending on your mixing skills of course and this will increase the probability that your music sounds good on different sound systems like car stereos, portable mp.Studio headphones are also recommended, for tracking purposes.Theres a wide range of studio monitors and headphones in the market on all price ranges.The truth is, the more money you put into these the more quality you will get and be aware that many low cost studio monitors actually DO color the sound or artificially boost frequencies even if they label themselves as studio monitors with flat frequency response.A lot of audio professionals vouch for Genelec, Focal or Mackie monitors.They are in the higher price range, but the quality is the best.In a few hundred dollars price range, I recommend checking out the M Audio and KRK Systems.Here are some specific models you may want to check out M Audio BX5a KRK Rokit RP5.G3. As for the studio headphones, check out these Beyerdynamic DT 8.Sennheiser HD 3. 80.Also see Best Affordable Studio Headphones Producer.Spot. comIf you dont have the possibility to use studio quality monitoring systems, use the equipment you have whether its headphones or normal loudspeakers.Dont let that stop you from start making music.However, before releasing your musical production to the public, I recommend that you listen to it through as many different sound systems as possible like normal home and car stereos, etc.Actually, this is recommended to do even if you DO have a studio quality monitors.Also, remember to position your studio monitors right.That makes a huge difference how they sound.I personally have Behringer Truth B2.As studio monitors.A lot of professional say they are not very good, or that they completely suck, but so far Ive been doing ok with them.And after all, I think one of the most important things with your studio monitors is to learn to listen to them.Then you know how your music translates to other audio systems.Im also using AKG K2.Studio headphones occasionally and I must say I like them.I have to say that studio monitor is one of the most important hardware in your home studio, so before choosing your monitors or headphones, try to listen to as many different models as possible and ask around and chat with the audio professionals and people who work in the audio production field.Here are some articles I recommend checking out Studio Monitors Buying Guide.Studio Headphones.MIDI keyboard controller.MIDI keyboard is not a necessity though.Personally, Ive created many songs just by using a mouse and regular computer keyboard.Many computer music software like FL Studio and Ableton Live lets you play music using your computer keyboard.Its like having a virtual piano keyboard. 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